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WHHY, All The Hits, Y102 Cumulus Broadcasting, 1 Commerce Street, Suite 300 Montgomery, AL 36104 Business: 334-240-9274 Fax: 334-240-9219 Request Line: 334-860-1102 General Manager: Don Pollnow, Program Director: Rick Hendrick, Business Manager: Jennifer Ruff, Engineer: Herb Connellan, Promotions Director: April Taylor, Y102 offers unparalleled advertising opportunities. Whatever your business, whatever…More

PODCAST – “As Me” with Sinéad

PODCAST – “As Me” with Sinéad

What’s the first step towards becoming more empathetic? Listening. Academic, TED alum, fashion enthusiast, and advocate Sinéad Burke leads candid conversations with diverse, notable guests who explain what it’s like to be them.  SUBSCRIBE for FREE to this Westwood One podcast; CLICK HERE!More

PODCAST – Zach Sang: Just The Interviews

PODCAST – Zach Sang: Just The Interviews

Zach Sang is a multimedia superstar, his night show is on from 7pm to midnight weekdays on Y102. He was a former Nickelodeon personality, social media addict, pop culture junkie and everyone’s best dude. His show is filled with in depth interviews with today’s and tomorrow’s music stars. Zach loves chatting with these music starts…More

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Chris Brown Shares First Photo Reveals His Newborn Son’s Name

Chris Brown Shares First Photo Reveals His Newborn Son’s Name

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Video Captures Crazy Ex-Girlfriend Crashing Wedding and Causes Drama

Video Captures Crazy Ex-Girlfriend Crashing Wedding and Causes Drama

Weddings are supposed to be a happy and memorable moment, not just for the people getting married. At times you can never predict when something memorable happens, it was definitely the case with one recent nuptials and it was all caught on camera. Everything seemed to be going smoothly at the ceremony until screaming started…More

Ariana Grande Announces New Live Album

Ariana Grande Announces New Live Album

Ariana Grande has finally announced a new live album in support of her “Sweetener World Tour,” which took the globe throughout the year. Today (December 11), the pop titan, 26, took to social media to unleash what appears to be the cover art and track-list for the set. An exact release date for the collection has…More

Juice WRLD Allegedly Hid 41 bags of Marijuana, Feds Found in Luggage

Juice WRLD Allegedly Hid 41 bags of Marijuana, Feds Found in Luggage

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Taylor Swift Documentary ‘Miss Americana’ To Open Sundance Film Festival

Taylor Swift Documentary ‘Miss Americana’ To Open Sundance Film Festival

According to, Swift’s latest project will open this year’s Sundance Film Festival. Taylor Swift gives fans and people a unique glimpse into her life in her upcoming Netflix original documentary Taylor Swift: Miss Americana, which is set to debut Jan. 23 at the Sundance Film Festival, the streaming service announced Wednesday. READ MORE about Taylor’s documentary;…More

Harry Styles Stripped Down on New Artwork

Harry Styles Stripped Down on New Artwork

Harry Styles bares all… really. The wildly popular One Direction singer stunned fans as he posed totally naked in jaw-dropping new artwork from his sophomore solo album, Fine Line. The hitmaker, 25, oozed confidence as he showed off his toned and tattooed nude frame, with his legs propped up inside a giant heart. View this post on Instagram FINE…More

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Want the 20 Best Deals For Cyber Monday 2019?

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Hollywood News

‘Insecure’s’ Yvonne Orji is going to miss Molly too

‘Insecure’s’ Yvonne Orji is going to miss Molly too

Yvonne Orji has some words of wisdom for the character she plays for the upcoming fifth and final season of “Insecure.”

“I would tell Molly, take a deep breath,” Orji told CNN.”Just take a deep breath, Boo.”

Fans of the HBO series will need to breathe as well with the ending of the dramedy. (HBO and CNN are both part of WarnerMedia.)

Orji calls playing attorney (and bestie to Issa Dee, played Issa Rae) Molly Carter “life changing” and said the ending of the show has been emotional for her.

“I’m not going to lie,” she said. “The tears were shed and more tears will be shed.”

The series finale kicks off Sunday. Orji said playing a stylish, successful, professional Black woman has set a high bar for her career. She’s so good in the role that some viewers have had trouble separating Orji from her character.

Case in point: Issa and Molly had a rough patch last season and plenty of people took to social media to express their anger at Orji for “not being a good friend.”

“I don’t fight on Twitter,” she said, taking it all in stride. “I don’t fight in real life.”

But what Orji did do is bring receipts to remind people of all the times Molly showed up — and showed out — for Issa.

“Can we go back to season one though?,” Orji joked. “Can we go back to season one where she definitely saved Issa from Daniel and Lawrence meeting? Can we go back to season one where she drove to Malibu? Where do you want to start?”

This season, viewers will get to see both Molly and her friendship with Issa grow.

Orji said the secret to the pair’s relationship is their honesty.

“You know, when you can actually be honest and be vulnerable and authentic, like authentically you,” she said. “They get each other because they’ve known each other for so long, but they also understand how each other vibes. And even in your friendships now, like you have to appreciate their quirks.”

Molly being introspective taps into where Oriji says she’s also in her life.

The actress has a new book out, “Bamboozled by Jesus: How God Tricked Me Into the Life of My Dreams,” about life lessons she’s learned.

After the success of her HBO stand-up special, “Momma, I Made It!,” Orji said to expect more comedy from her.

“I’m actually hosting ‘Yearly Departed’ on Amazon Prime and it’s not quite a comedy like a stand-up comedy special, but it is a comedy,” she said. “It’s amazing comedians brought together to send off the year. That’s coming out in December and I may be working on something else on my own, you’ll find out.”

™ & © 2021 Cable News Network, Inc., a WarnerMedia Company. All rights reserved.

Hollywood keeps retelling ‘Dune.’ Why this latest adaptation may be the one that takes off

Hollywood keeps retelling ‘Dune.’ Why this latest adaptation may be the one that takes off

Get ready for the spice to flow.

After a number of pandemic-induced delays, the latest movie adaptation of Frank Herbert’s 1965 sci-fi classic novel “Dune” is landing in theaters and on HBO Max this weekend. Directed by Denis Villeneuve, with its stars including Timothée Chalamet, Zendaya and Oscar Isaac, the film is among this year’s most highly anticipated releases. (“Dune” studio Warner Bros., HBO Max and CNN are all part of WarnerMedia.)

But the movie is not the first onscreen adaptation of the novel — a much-maligned film came out in 1984, while a TV miniseries followed nearly two decades later. Even so, the source material has long been considered nearly impossible to adapt.

Set on Arrakis, an inhospitable desert planet valued for its hallucinogenic “spice,” the novel follows the journey of young Paul Atreides (Chalamet) whose family has been tasked with overseeing the planet — taking the place of their rivals, the Harkonnens. The story features everything from spaceships and extraterrestrial life forms called sandworms to themes revolving around betrayal, politics and religion.

The world established in “Dune” and its sequels is full of layers, many of which have been difficult to translate to the big screen. Here’s a look back at previous adaptations and why audiences today may be likely to appreciate Villeneuve’s adaptation.

The first adaptation of ‘Dune’ didn’t do so well

It took more than a decade for the first movie adaptation of “Dune” to get made after rights to the film changed hands multiple times during the 1970s. Director Alejandro Jodorowsky (“El Topo”) — subject of the documentary “Jodorowsky’s Dune” — was at the helm at one point, with grandiose casting plans that included Orson Welles and Salvador Dali. But the project ultimately collapsed thanks in part to a mounting budget and an unwieldy runtime.

A “Dune” film became reality when director David Lynch — coming off the success of “The Elephant Man” — took on the project. Released in 1984, Lynch’s “Dune” was a commercial and critical disaster, making just $30.9 million at the domestic box office on a budget of $40 million.

“This movie is a real mess, an incomprehensible, ugly, unstructured, pointless excursion into the murkier realms of one of the most confusing screenplays of all time,” Roger Ebert wrote in his one-star review of the Lynch adaptation, calling it a “project that was seriously out of control from the start.”

“Producers crossed their fingers and hoped that everybody who has read the books will want to see the movie,” his review concluded. “Not if the word gets out, they won’t.”

Though 1984’s “Dune” has gained something of a cult following over the years, Lynch himself doesn’t speak highly of the film, calling it a “huge, gigantic sadness in my life” during a virtual Q&A in 2020.

Sci-fi and film aficionados have a few theories about why these early attempts to tell the “Dune” story onscreen didn’t click.

Both Jodorowsky and Lynch “were trying too hard to be eccentric in their own way — to balance their own style and the [source material’s] complex features — and as a result their efforts came across as somewhat contrived and perhaps overdone,” said Marina Hassapopoulou, a professor of Cinema Studies at New York University, in an email to CNN.

Lynch’s version, in particular, tried to do too much in a limited window of time, YouTube video essayist Patrick Willems told CNN, noting that the “movie is what people who don’t like science fiction think all science fiction is, which is basically just cold and dense and emotionless and basically nothing but information and lore.”

Unlike “Star Wars,” which used its opening crawl to catch the audience up on the story and provided reasons to be invested in the characters’ journeys, Lynch’s adaptation of “Dune” immediately “dumps all of these terms and names and information on you,” Willems said.

“It is just about two hours long and they tried to fit so much into it that it really feels like a CliffsNotes version of a textbook,” he said. “You can see the elements of a compelling story — it’s just that it’s so condensed, and it feels much more like an information dump than an actual emotional story about characters.”

A 2000 miniseries fared better

The failures of Lynch’s adaptation did not stop another “Dune” from being made. In 2000, the Sci Fi Channel (now stylized as SyFy) released “Frank Herbert’s Dune,” a three-part TV miniseries written and directed by John Harrison that adhered more closely to the source material. The miniseries was a triumph compared to Lynch’s big screen adaptation, bringing Sci Fi its highest ratings at the time. More than 3 million people watched the first part, according to the New York Times.

Though the miniseries had its detractors, it won two Emmy awards for cinematography and special visual effects. This led the channel to release a sequel miniseries, “Frank Herbert’s Children of Dune,” starring a then relatively unknown James McAvoy, which combined events from the author’s follow-up books “Dune Messiah” and “Children of Dune.”

Of course, while these takes on the “Dune” story found their audience, they did not have the same wide reach a big-budget theatrical release typically has.

“It was the pre-‘Battlestar Galactica’ era of the Sci Fi Channel — nothing they were doing was really connecting with wider mainstream audiences,” Willems said.

Despite the complex source material, directors remain drawn to ‘Dune’

“Dune” has often been considered “unfilmable.” As Hassapopoulou puts it, “the source material is too sublime to be adapted (and limited to) an audiovisual medium like cinema, and that makes it challenging to adapt from book to film.”

As this year’s Villeneuve release indicates, filmmakers remain drawn to the source material — partially because of the complexities and challenges involved. Villeneuve told the Los Angeles Times “it took a long time to find the right equilibrium” between maintaining the main storyline and capturing some of the text’s complexities, while also keeping some sense of “mystery.”

“It was very important for me that we not explain everything,” he told the Times.

Despite some of its denser themes, the “Dune” story has many universally recognizable elements. The feud between House Atreides and House Harkonnen is a trope readers of classic literature — such as “Romeo and Juliet” and “Wuthering Heights” — are already familiar with.

“It’s the kind of thing people have been making movies about since the dawn of cinema,” Willems said. “Aspects of the story are really universal, but then you’ve got sandworms, you’ve got spaceships — you’ve got all these fun, strange sci-fi things to play around with.”

Are audiences ready for 2021’s ‘Dune’?

At the time of writing, Villeneuve’s “Dune” has taken in well over $100 million at the international box office. The film received an 8-minute standing ovation at its world premiere during the Venice International Film Festival and reviews are mostly positive as it opens in US theaters.

While the film’s ultimate performance at the box office is not yet known, Hassapopoulou believes “Villeneuve’s ‘Dune’ will be the most commercially successful out of all adaptations so far,” pointing to the director’s previous works as reasons why his vision will succeed.

“As he has done with the Blade Runner legacy via ‘Blade Runner 2049’ (2017), Villeneuve is capable of bringing in new fans and sparking renewed interest in the source materials,” she said. “His film ‘Arrival’ demonstrates that he is capable of handling complex storytelling in a way that still makes it accessible to mainstream audiences.”

Plus, mainstream audiences today may simply be more ready than ever for a “Dune” adaptation than they were before. Hassapopoulou said Hollywood’s output since the 1990s has been “increasingly demanding more intellectually active and critically engaged viewers,” which means the new “Dune” may appeal to newer generations who “are not put off by aesthetic experimentation and convoluted narratives.”

Willems feels similarly, pointing to how “nerd media” has become more mainstream in the past 15 years. The average person today can name a number of previously obscure Marvel characters, while series like “Game of Thrones” — “​​this really dense fantasy thing with dragons and ice zombies” — became so popular, it was something even his own parents cared about, he noted.

But even with various factors aligning in the new movie’s favor, there are still some risks involved. For one thing, Villeneuve’s “Dune” doesn’t cover the whole novel — and it’s not yet confirmed that a second movie will definitely be made. “Will enough people go see it to ensure that Warner Bros. can justify making… part two?” Willems asked, while observing that splitting the most recent film adaptation of Stephen King’s “It” into two parts “worked” for the studio, which ultimately committed to completing the story in a second movie.

While “Dune” is something people have heard of, it isn’t necessarily a “familiar proven franchise” either, he said. But that hasn’t stopped his own excitement to see the film.

“I’m really curious how the general public will react and respond to it,” he said. “We don’t get an awful lot of movies like ‘Dune,’ so personally I hope that people show up for it.”

™ & © 2021 Cable News Network, Inc., a WarnerMedia Company. All rights reserved.

Cardi B and Penn Badgley are the Twitter friendship we didn’t know we needed

Cardi B and Penn Badgley are the Twitter friendship we didn’t know we needed

What’s the relationship status when you swap Twitter avis?

That’s what Cardi B and “You” star Penn Badgley did after sharing some mutual appreciation on that platform.

The rapper tweeted an old video in which Badgley talks about social media and praises Cardi B for how she uses it, saying she has an “authentic relationship” with her followers.

“It’s this incredibly nuanced place to be, and despite what many might judge as ‘antics,’ she has an incredibly authentic relationship and that’s why people like her so much,” he said.

Cardi dug it and tweeted “OOOOMMFFFGGGGGG HE KNOWS ME !!! OMMMGGGG!!!!!!Yoooo like I’m famous famous” along with the video.

Badgley responded by retweeting her and just wrote “I-” because apparently he had no words.

They then swapped so their Twitter avatars were of each other.

Fingers crossed we get a Cardi B cameo on “You” or Badgley gets cast in one of her music videos.

™ & © 2021 Cable News Network, Inc., a WarnerMedia Company. All rights reserved.

Olivia Newton-John offers cancer update
Robyn Beck/AFP/Getty Images

Olivia Newton-John offers cancer update

Olivia Newton-John says she has her good days and her bad days as she once again battles cancer.

In an interview with “Today’s” Hoda Kotb which aired Wednesday, the singer talked about living with stage 4 metastatic breast cancer.

She said these days she’s “feeling pretty good.”

“I have my days, I have my pains,” Newton-John said. “But the cannabis that my husband grows for me has been such a huge part of my healing, and so I’m a really lucky person.”

The “Grease” star was first diagnosed with cancer almost 30 years ago. She was treated for it and it returned in 2017.

She and Kotb shared an emotional moment after the “Today” co-host shared that she too is a cancer survivor.

“We’re sisters,” Newton-John said. “Anyone that has gone on this journey with cancer, it’s unknown destinations and surprises and turns.”

™ & © 2021 Cable News Network, Inc., a WarnerMedia Company. All rights reserved.

Cara Delevingne’s father suggests she was named after in-flight magazine
David M. Benett/Getty Images

Cara Delevingne’s father suggests she was named after in-flight magazine

Origin stories are a powerful part of celebrity culture that can help fans identify with the stars.

Now it appears that one global star shares a curious connection with Ireland, and the country’s flag carrier airline in particular.

Charles Hamar Delevingne, father of model and actress Cara Delevingne, has suggested that his daughter was named after a discontinued in-flight magazine.

He was speaking to the Irish Times for a story published Wednesday to mark the centenary of the foundation of the Irish state.

His grandfather was Hamar Greenwood, the last British chief secretary to Ireland. Charles Delevingne was part of a group of relatives of the negotiators of the Anglo-Irish Treaty who gathered to celebrate 100 years since its signing.

“I remember I used to go backwards and forwards to Dublin a lot, and the name of the Aer Lingus magazine was Cara. I loved the name,” he told the Irish Times. “I’m here to celebrate 100 years of Anglo-Irish friendship. Long may it continue.”

Aer Lingus, Ireland’s flag carrier airline, used to provide “Cara” as a free in-flight magazine until production was halted last year amid the coronavirus pandemic.

The apparent revelation sparked incredulous comments on social media.

“She did well,” wrote one Twitter user. “I feel sorry for her brother, HighLife, from that time Charles flew on British Airways.”

Since 1973 the British flag carrier airline has published “High Life,” its in-flight magazine.

Cara means “friend” in Gaelic, and one Twitter user wondered why her father seemed to have taken inspiration from the Aer Lingus handout.

“Named after a magazine and not the actual word,” they wrote. “Makes sense.”

Cara Delevingne is a British supermodel-turned-actress who has featured in high-fashion shoots for Burberry and British Vogue, as well as big budget movie roles in the DC Universe.

Her father is a property developer.

™ & © 2021 Cable News Network, Inc., a WarnerMedia Company. All rights reserved.


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